Listen To Our Full Review On Candyman Anywhere You Get Your Podcasts Or By Clicking The Link Below! https://reviewsthatscare.buzzsprout.com/2027559/12467135

Bastante buena, todos de acuerdo en la buena banda sonora, las buenas actuaciones, el ambiente bien currado... quizás le falta un algo, pero no deja de ser una gran película, de historia muy copiada desde entonces.

Candyman diverges from traditional slasher tropes, resembling a '70s giallo film with its deliberate pacing and emphasis on dialogue. Set against the backdrop of Chicago, the film's stunning visuals and exploration of urban legends add depth to its narrative. The first half builds tension with occasional jump scares, leading up to the iconic Candyman's introduction. While inspired by Clive Barker's short story "The Forbidden," Candyman takes a more focused approach on exploring the historical and contemporary struggles of African Americans in the United States. The film is a 90s masterpiece, boasting exceptional acting, intricate set pieces, practical effects, and a socially relevant storyline. Philip Glass's haunting score ranks among the best in horror cinema. 
Virginia Madsen and Tony Todd deliver exceptional performances. Madsen showcases her versatility, transitioning seamlessly from a carrier driven woman to a “vulnerable victim”, Meanwhile, Todd truly embodies the essence of the Candyman character, exuding elegance and imposing presence leaving a deep impression. My interpretation of this film suggests that the character Mr. Candyman, with his intricate backstory as a son of a slave, a painter, and a victim, may not be an individual but rather a symbol. In this view, "the Candyman" represents the collective pain endured by African-Americans, evolving through generations of urban legends. His story, meticulously retold throughout the movie, reflects a narrative pieced together from various sources, blurring the lines between myth and reality. This perspective frames the Candyman as a product of societal fears and injustices, perpetuated by both those intimately acquainted with his tale and those who trivialize it as a mere parlor game. The film's portrayal of racial dynamics and class disparities is underscored by the Candyman's redirection of his wrath towards marginalized communities, serving as a poignant critique of white privilege and ignorance. Helen, the protagonist, embodies the arrogance of interfering in the lives of the less fortunate, echoing the historical pattern of well-intentioned but ultimately harmful interventions in marginalized communities.

First watch. My enjoyment came down to how things were wrapped up in the end. Some parts are a little slow and we take a while to actually meet Tony Todd as Candyman, buy it comes together in a warped and twisted little bow. The cast is pretty great led by Madsen and Todd but I kept wanting to recast other folks just for reminding me of other actors. This is jam packed of lore and story that merits a rewatch and it even strengthens Nia DaCosta's 2021 version for me. I could probably benefit from diving into the themes of the white savior but for now I'll stick with just enjoying this classic. 439/500 movies & tv for 2024