Biopic basado en la controvertida y autodestructiva carrera de Jim Morrison, y su banda, The Doors, que tan grandísimos fueron en los 60-70. Toda una sorpresa el papelón de Val Kilmer como Jim Morrison, en quizá uno de los mejores papeles de su carrera y hay que decir que, al menos en el 95% de la película, el personaje o está borracho, o drogado, o ambos, lo cual no debe de ser tan fácil de interpretar. Me ha gustado que la cinta se centre bastante en el ámbito musical, sonando a lo largo de su duración bastantes temas musicales de la banda, y es interesante como las letras coinciden con cosas que ocurren en la película multitud de veces, como queriendo mostrar de dónde saca un letrista su inspiración para escribir, de los hechos diarios de su vida. También nos enseñan bastante de la sociedad tan complicada de la época, los tiempos de los hippies, los tiempos del Vietnam, donde la libertad chocaba contra las restricciones sociales más que nunca. La película es bastante psicotrópica -con tanta droga, como para no serlo- y en ocasiones, bastante onírica, como queriendo dar una idea de las cosas que pasaban por la mente de esta persona tan profunda y ¨mística¨, por qué no decirlo. Personalmente, y aunque siendo conocedor de la banda, la verdad es que la historia de la vida de Jim Morrison no la conocía en lo más mínimo, y esta película -que a saber hasta qué punto se puede considerar como realista con respecto a su vida, como la mayoría de biopics-, me ha parecido bastante buena y digna de recomendarse.

The Doors (1991), directed by Oliver Stone, is a compelling exploration of the legendary rock band and its enigmatic frontman, Jim Morrison. The film, starring Val Kilmer in a career-defining performance, chronicles the rise of The Doors and the turbulent life of Morrison, from his poetic beginnings to his tragic death at 27. Stone, known for his bold and sometimes controversial storytelling, brings his unique vision to the band’s history, presenting a psychedelic, chaotic, and often surreal portrayal of the 1960s counterculture. The narrative is as much about the band’s music as it is about Morrison’s inner demons, grappling with fame, addiction, and his struggle for artistic identity. Val Kilmer’s performance as Jim Morrison is nothing short of extraordinary. He not only captures the physical likeness of the rock icon but also his troubled soul. Kilmer’s dedication to the role went beyond mere impersonation—he reportedly practiced Morrison’s songs for months until his voice and delivery began to mirror Morrison’s so closely, it was almost indistinguishable. Kilmer’s work transcends typical biographical portrayals, evoking both the genius and madness of Morrison with intensity and authenticity. The film is visually stunning, with Stone employing a combination of vivid dream sequences, archival footage, and hypnotic imagery to draw viewers into the fractured mind of Morrison. However, Stone’s interpretation isn’t without its flaws. Some critics argue that the film takes liberties with history and presents a somewhat romanticized view of Morrison’s excesses and self-destruction. Yet, the raw energy of the music and the atmosphere of the time are undeniably captivating. The supporting cast, including Meg Ryan as Pamela Courson, Morrison’s long-time partner, adds depth to the story, particularly Ryan’s portrayal of Pamela, who is both loving and tragic. The tension between Morrison’s personal chaos and the band’s musical genius is palpable throughout the film, offering a deeper reflection on fame and the cost of artistic success. Ultimately, The Doors is a passionate, electrifying tribute to one of rock’s most iconic figures. Val Kilmer’s performance is a standout achievement in itself, honoring Jim Morrison’s legacy in a way that resonates long after the credits roll. As we remember Kilmer’s dedication and his ability to channel the spirit of Morrison, it’s hard not to feel the weight of his passing. RIP Val Kilmer. Your portrayal of Jim Morrison will remain iconic.