This is almost definitely my most controversial ranking on this list. I understand the legacy of this film, and how influential it was on the world of cinema, but it just didnt do anything for me. I found myself wishing it would hurry up and get to a point, it just seemed to plod along so slowly.

9.6/10 This movie is visually stunning, especially for the era it comes from (although, I think the 60s where when people were starting to break out of largely static shots and visuals). The way every frame is constructed is absolutely gorgeous. Everything, from the wides to the close-ups, blew me away. The score is also tremendous. Maurice Jarre composed many fitting, memorable themes. He makes this film feel so much more epic. He uses percussion to great effect as well, adding drums to keep up the momentum of scenes. Peter O’Toole is fantastic as Lawrence, but everyone else ranges from good to captivating. Alec Guinness as Prince Feisal brings a bit of a mystifying vibe to his performance. Lawrence’s arc is so enthralling to watch. For the first 50 minutes or so, he gets pushed around by events quite a bit, but after that, he starts to make his own decisions and take charge. The reveal that he enjoyed killing was fascinating. He becomes a bit self-obsessed, seeing himself as the Arabs’ savior, best exemplified when he says he, himself, is going to give them their freedom. This film also has quite a few well constructed action sequences. The scenes where Lawrence and the Arabs take Aqaba and the Turks’ trains work well. I have one small issue with Lawrence of Arabia. In the last hour and a half, it’s shown that Lawrence is able to capably lead the Arabs. He takes two Turkish trains with them, but after one man dies in a mistake with a bomb detonator, they start questioning his leadership. I wish there were maybe another failure of Lawrence’s included, because, as is, this plot point feels like a jump.

Rarely can I sit through a nearly four-hour film without feeling restless or bored, but "Lawrence of Arabia" is a remarkable exception. This cinematic masterpiece seamlessly blends elements of a war epic and an adventure saga, yet at its core, it stands as one of the finest character studies ever crafted. Upon delving into the life of T.E. Lawrence and his transformation from a well-mannered pacifist to a ruthless egomaniac, it becomes evident that the film's portrayal is remarkably accurate. The exceptional writing and direction by David Lean shine throughout, with profound dialogue, compelling performances, and subtle character development from start to finish. While David Lean may not be a director I was previously familiar with, this film, based on T.E. Lawrence's memoir "Seven Pillars of Wisdom," has piqued my interest in exploring more of his work. I'd like to dedicate an entire section to discuss the intricacies of the character development, as it warrants a thorough analysis on its own. Beyond its compelling storytelling and stellar performances, "Lawrence of Arabia" boasts some of the most breathtaking cinematography I've ever witnessed. Particularly in the first half, it feels as though every scene could be a work of art. Cinematographer Freddie Young masterfully captures the enchanting beauty of the Arabian deserts. The film's music also deserves praise for enhancing its historical epic ambiance, with meticulously composed pieces that perfectly complement various pivotal moments. Personally, I found myself captivated for the majority of the film. The gradual buildup of the legend of Lawrence of Arabia, both in my mind and within Lawrence himself, is a testament to the film's brilliance. The climax is executed flawlessly, transforming the man we encounter at the film's outset into a product of the unforgiving desert—a barbaric warlord. In summary, "Lawrence of Arabia" stands as a timeless classic, seamlessly weaving together elements of war, adventure, and character study. Its masterful storytelling, exceptional performances, and artistic excellence make it an absolute must-watch for cinephiles and anyone who appreciates the art of filmmaking.