De De Pyaar De (2019): A romantic comedy movie that focuses more on the romance than the comedy. It is about a 50 year old man who falls in love with a 26 year old woman but complications occur when the man is known to have a wife. That’s about it, that’s the story. Which is enough for a romcom to be fun, but not enough for 2 hours and 40 minutes. The movie feels too stretched. The direction works too slow here, the screenplay could have been better, and there could have been more comedy. The starting starts out nice and towards the end of the movie it starts shining but unfortunately it’s too late as the movie wasted all its potential in between. However, the acting is good and the characters are humorous. The script is mixed with both negatives and positives, some good puns/jokes and some bad romantic ones too. The movie was a hit, not far from being a super hit movie. Most of critics found this movie to be about average. The audience seemed to like the film for the most part. This movie can’t really be watched with family unless if it’s okay for a movie to some adult content. Such as; many sexual references (a couple sexual scenes too), mild alcohol usage (no drugs), some use of adult language (in a more comical tone), but no violence. The movie could have been a time pass film but it’s dragged for a little too long.

Best coming age my movie I've fall in love with rakul preet ❤❤❤😍😍 really such a brilliant and superb romantic comedy movie writing was really brilliant and laughter riot 🤣🤣😂😂🤣😂😂 direction, song's and music are amazing and enjoyable and performance by every one was really wonderful 2nd half is filled with Full of hilarious and laugh 🤣🤣🤣🤣🤣🤣🤣

This film's opening sequence should count as an incredibly smart/realistic update on that standard, old Bollywood scene: The heroine (Rakul Preet) in this movie, after a drunken night, wakes up nude in the hero's bed/home. It appears that they could've slept with each other. Or at least the heroine, as with the movies back in the day (think DDLJ), instantly assumes that they did. But rather than feeling guilt/shame over the proverbial loss of izzat, she just wants to ensure that the guy doesn't make a big deal of it instead.It's just sex, or a one-night-stand, she wants him to know—nothing more. What follows is also movie's best one-liner, questioning the idea of fidelity, as it's been traditionally accepted: "Ek baar sone se pyaar ho jata hai? Toh ek baar sone se pyaar kho kaise jaata hai? (Do you fall in love the only time you sleep with someone? Then why does one assume you have altogether fallen out of love with someone, because you once slept with someone else?)" Especially referring to the early scenes, because that usually sets the tone for the rest of a film. Or at least that's what one presumed, going by this picture's promos, or at least being aware of the basic plot.Ajay Devgn plays the lead role; and his own age, for once. He's 50. The girl is, I guess, 25. Superstars older than Devgn have probably been with women much younger. The lead couple in the film lives in London, where I can't imagine anyone furiously batting an eyelid over such a match. You might wanna know more about how an adult, mature, urbane relationship of this nature might pan out, with its own quirks, and plausibly fresh ground-rules. You wait rather expectantly. R Balki's Cheeni Kum (2007), also starring Tabu, then 35, interested in Amitabh Bachchan, then 64, worked along those lines. Likewise, this is supposed to be a romantic comedy. And there is no way to pull off that genre, without a certain level of subversion. And, yet, some films just seem to have a switch on their timeline, from whereon things just go downhill thereafter. For me, it's again an early moment in this movie when Singham plays in the background score. Devgn's hatta-katta character impresses the young girl, beating up a bunch of goons on the street. She is floored. Not that the rest of the script has much to do with that scene—it shifts to India. Just that things simply go adrift into a 'territory' that film-trade folk might call 'UP-Delhi/ Punjab'. Not talking about songs, and dance. That has its own place. The film just stops being about a relationship; let alone romance, or comedy. It's almost like the filmmakers are certain the intended audience won't connect much with such a young-old love, by itself, in a single screen theatre. Well if you think they can't take it, then why make it? All stories, one can argue, starts with the fundamental question: 'What if?' The underlying theme or starting point here appears to be: 'What if a 50-year-old man, having consensually separated from his wife, briefly returns home, among his kids, and father and mother, etc?' Frankly, didn't know that's how this 'old man and the khichdi' was meant to flow. Well, now you do. Even if I did: 'What if I didn't care?' Certainly didn't. Watch the trailer of De De Pyar De 9:55 AM Top entertainment stories of the day: Kangana Ranaut slays like a boss in a black pantsuit at Cannes Grey Goose Party De De Pyar De - Old man and the khichdi Cannes 2019: Priyanka Chopra looks like a goddess in an ombre sequin thigh-high slit dress Cannes 2019: Deepika Padukone is a vision in white thigh-high slit gown Cannes 2019: Kangana Ranaut nails the saree and opera gloves look with panache Tiger Shroff: Dance-off with Hrithik Roshan will be tough From Bharat to Kyrgyzstan; makers plan a worldwide release Aditya Seal: Didn't draw comparisons between SOTY 2 and Avengers De De Pyaar De review: Ajay Devgn, Rakul Preet Singh, Tabu's film not a regular rom-com Vir Das: Want to visit as many cities as we can Catch up on all the latest entertainment news and gossip here. Also download the new mid-day Android and iOS apps to get latest updates